遺伝子改変の進歩と、テクノロジー分野における人工知能の段階的実装によって、人類という文明の社会的現実が大きく揺れ動く現代──。グローバルな多文化社会が抱える、未だ応答のない文明的危機を「時代の転換」として語り続けてきた試みを、ひとつの表現へと統合する芸術的提案がここに現れる。
28は顔も皮膚も持たず、頑丈な木の仮面を纏うアーティストであり、その創作の根底には〈人類のAño Cero（Year Zero）〉という概念が据えられている。
社会に生きる個人の独自の決断と、共有された歴史性への批判的省察を通じて、ポストモダニズムの言語の中で文化的象徴を絵画的・彫刻的手法により喚起する――そうして生み出される作品は、人間という普遍的生命のアイデンティティの起源へと応答しようとする。
In a contemporary present that is transforming the social reality of Humanity as a civilization in history, with advances in the fields of genetic modification and the progressive implementation of Artificial Intelligence in the development of technology, an artistic proposal emerges that synthesizes through his expression, what they have sought and tried to call for decades as a change of era in notion, in a notorious and unanswered civilizational crisis of this global multicultural society.
28 is an artist without face or skin, but with a firm mask of wood in his occur, who has a fundamental premise in the work of his oeuvre, the concept in Humanity of Año Cero.
It´s through the singular decision in the social individual and a critical reflection in the narrated shared historicity, with the use and employment of the pictorial and sculptural evocation of cultural symbols in the language of postmodernity, that the generated work, seeks to respond, to the site of origin in identity of human universal life.